"Jean-Baptiste Robin champions the cause of Marchand's organ music with a stylish sense of ease and maturity. His is a great talent."
(Michel Roubinet, Diapason - may 2002)

«If you love organ music, don't miss this--and don't be afraid to turn it up!  » (David Vernier, Classics Today [10/10) )

" He is the dignified successor to Marie-Claire Alain and André Isoir..."
(Pablo Galonce, Le Monde de la Musique - march 2003)

« A talented young fellow with exceptional keyboard technique and a virtuosic delivery ."
(Michael Barone, Pipedreams' )

"Perfect clarity and virtuosity. The Bach chorals were a highly emotional moment, with notes like tears and the soul of the audience totally at peace."
(Jacques Doucelin, Le Figaro - september 2002)

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"Mr Robin, a protégé of the great French organist/scholar Marie-Claire Alain, plays stylishly and well."
(Scott Cantrell, The Dallas Morning News/Dallasnews.com - november 2005)

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"One cannot but help admiring the wonderfully sensitive interpretation.
This recording is astonishing in every possible way."

(Stephan Perreau, Classica - september 2002)

"Jean-Baptiste is the ideal interpreter of this music. [...] his recording may
be considered definitive."
(Sylvain Gasser, Répertoire - July 2002)

“Jean-Baptiste Robin is the new Marcel Dupré, with his miraculous technique and the post-symphonic style of his compositions."
(Le Journal d'Alsace)

“The young titulaire of Poitiers, Jean-Baptiste Robin, a former student of Alain, Latry and Robilliard, proves as much with stromg, supple and supremely musical performances.  »
(Chris Bragg, musicweb-international)

« A name never to forget» (Haarlem magazine)

 

"Jean-Baptiste Robin's eclectic repertoire spanned five centuries, and his two original compositions provided a special element to this sizzling conclusion to our week-long festival."
(Pipedrams')

“Regard vers l'Aïr is a sumptuous fresco-mysterious and virtuosic. The organist and composer Jean-Baptiste Robin was fascinating in his piece, showing incredible technique and musical intensity»
(Le Nouvelle République)

 
 
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